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VENICE, 20.04 - 24.11 2024 BIENNALE ARTE 2024 Palazzo Bembo - C007 Sabine Pierick - Pallazzo Bembo - Room C007 Sabine Pierick bring unique and compelling reflections on climate change trough their distinct artistic approaches.. The artist graapple with themes of environmental fragility and human responsibilit. The methodes of expression and materials differ greatly. 118/17 150 x 150 cm 666 150 x 150 cm CO2 - Z 2 parts 150 x 150 cm Die Installation „ELEMENTARY: 666 – 108/17 – CO2Z“ von Sabine Pierick geht die globale Klimakrise aus einer industriellen, aber zugleich elementaren Perspektive an. Pierick verwendet Kupfer, Kohle und Wasser – Materialien, die sowohl symbolisch als auch konkret mit dem Diskurs um den Klimawandel verbunden sind. Ihre Arbeit ist eine Verschmelzung von Kunst und Wissenschaft, wobei Kupfer sowohl die Formbarkeit menschlichen Handelns als auch die Verantwortung der Nationen zur Erreichung von Klimazielen verkörpert. Die spiralförmige Struktur von CO2Z, gefertigt aus einem 15 Meter langen Kupferrohr, ist eine scharfe Kritik an der Untätigkeit der globalen Gemeinschaft. The installation symbolises the fragile balance betweeen the earth`s resources and the human race`s relentless consumption. Pierick`s use of the chemical periodic rtable highlights the elemental forces at play, while her stark message about greenwashing warns of the dangers of superficial climate solutions. …. Heat accelerates the ice`s disappearance, underscoring how human actions directly affect environmental degradiation. The sculpture`s unyielding paralysis, despite appearing mobile, is poignant reminder of our collective inertia in adressing climate change. Back

Exhibitions 2025 Artist Meeting, Knokke, Belgien G Internationale Präsentation aktueller Werke 2024 Biennale Venedig, Italien >>>> G Internationale Präsentation zum Thema: „Foreigner Everywhere“ 2024 Jüdisches Museum, Dorsten >>>> E Werkserie über Erinnerung, Wert und kulturelle Identität 2023 Chelsea Art, London, UK G Teilnahme mit großformatigen Materialbildern aus Kohle, Kupfer und Petrol 2023 Main Art, Aschaffenburg G Präsentation abstrakter Werkkompositionen zur Transformation natürlicher Ressourcen 2023 Galerie Broome St., New York G Internationale Positionierung 2023 DAF, Köln G Thematische Ausstellung zu zeitgenössischer Materialkunst 2023 Franz*, Dorsten E Überblick über aktuelle Werkphase mit Schwerpunkt auf Kohle und Kupfer 2023 Parallax Art, London,UK G Experimentelle Materialarbeiten im internationalen Kontext 2022 DAF , Frankfurt G Thematische Ausstellung zu zeitgenössischer Materialkunst 2022 Galerie Dortmund G Teilnahme an thematischer Ausstellung über Struktur und Oberfläche 2022 Galerie Casa del Arte, Mallorca G Perspektiven auf industrielle Materialien 2022 ARTe, Wiesbaden G Zeitgenössische Kunstmesse 2022 Lohnhalle, Dorsten E „Mensch & Material“ – großformatige Werke aus Steinkohle und Echtkupfer 2022 Konstanz G Teilnahme mit Arbeiten zur Beziehung zwischen Mensch und Naturstoff 2022 La Villa, Starnberger See E Präsentation der Werkserie „Reflexionen“ – Kohle, Kupfer, Petrol 2021 Adlon, Berlin E Kunst im Dialog mit Architektur – Kohle als Symbol für Erinnerung 2021 Capital Club, Berlin G Auswahl zeitgenössischer Positionen deutscher Künstler:innen 2018 Extraschicht, Ruhrgebiet G Teilnahme an der Nacht der Industriekultur 2018 Fürst Leopold, Dorsten E Carbon I - Erste große Werkreihe mit Deputatkohle – Beginn der Kohle-Phase 2018 Maschinenhalle, Dorsten E Rauminstallation mit Kohle, Kupfer und Licht 2017 Extraschicht, Ruhrgebiet G Teilnahme an der Nacht der Industriekultur 2015 Entwicklung des eigenen Materials - Beginn der eigenständigen Materialforschung mit Kohle, Kupfer und Petrol 1988 - 2014 Div. Ausstellungen im In- und Ausland E+G Frühphase mit keramischen, metallischen und lackbasierten Arbeiten AWARDS 2023 Pinacothèque „Artistic Merit“, Luxembourg 2022 Pinacothèque „Artistic Merit“, Luxembourg BOOKLETS & MAGAZINES Back

Sabine Pierick: · Title: CO2 - Z · Dimensions: 150 x 150 cm (2 parts) · Material: ·Copper pipe on iridescent petrol background · Year: 2024 Description: "CO2-Z" is more than just an artwork – it is a statement, a fusion of aesthetic innovation and burning topicality. The centerpiece of the installation is a fascinating wall object made of handcrafted copper on canvas. The deep, meditative luminescent petroleum is traversed by precisely placed copper lines that culminate in a central ring - a visual metaphor for our planet's carbon cycle. The materials used - copper, coal, and water - are carefully chosen to reflect the complexity of the climate debate. Pierick's innovative technique transforms a 15-meter-long copper pipe into a delicate structure that simultaneously unites industrial precision and organic shaping. The installation is complemented by an amorphous floor component that can be adapted to different exhibition spaces, thus offering flexibility for various contexts. "CO2-Z" is not just an aesthetic eye-catcher, but also a work of high conceptual depth. It addresses one of the most pressing issues of our time - climate change - in a manner that is both intellectually stimulating and visually impressive. In this fusion of aesthetic refinement and ecological engagement, Pierick's work aligns itself with the tradition of conceptual and environmental art. She creates a dialogue between industrial precision and natural unpredictability, challenging the viewer to reflect on the complex interconnections between human actions and global environmental changes. "CO2-Z" promises to be a conversation piece of enduring value that redefines the boundaries between art, science, and ecological consciousness. One can be pessimistic if one looks at the possible end. Sabine Pierick explores the flourishing certificate trade in an artistically ruthless way as a doomsday scenario, already down to earth. Anyone who does not pull the lever ends up in a dripping, tarry puddle of lifelessness. Her frighteningly clear formula is greenwashing = doomdating. The impetus is clear: anyone who rids themselves of their responsibility not only risks, but is responsible for the decline of our planet into irreversible rigidity. When Robert Smithson placed his legendary 1500-meter-long earthwork "Spiral Jetty" at the edge of a salt lake in Utah in 1970, he combined the formally highly energetic landmark of black basalt stones with a deeply spiritual force tied to geology. Today, his land art icon, which remained invisible for decades due to flooding, lies dormant once again in the desolation of the salt flats. Inevitably, one senses the connection of the spiral-shaped symbols through the centuries. Topic: Water Risk. Fifty-four years after Smithson, Sabine Pierick lays down her 15-meter-long copper spiral installation like a universal memorial directly on planetary ground, instantly mapping humanity's realm of responsibility on a global scale. Is it still an oasis, or already on the way to becoming a wasteland? The CO2-Z spiral challenges the mind to focus while relentlessly expanding perception to take personal responsibility. When everything is at stake, the symbols must be compelling—especially as darkness encroaches ever more. Back

www.atelier@sabine.pierick.com Atelier, Kunst, Biennale 2024, Zukunft; Ausstellungen, Museum, Künstler, Künstlerin, Galerie SABINE PIERICK Something new is emerging! Soon you will be able to discover inspiring works and experience creative impulses again. The deeper meaning comes from the material. Carbon C6 | King of the Elements Hard coal Copper C29 | Electricity and heat conductor Real copper Water H2O | Basis of all life Petrol "Art is a step from the visible known to the hidden" (K. Gibran) MY JOURNEY / BIOGRAFIE Anker 50 CLICK für DETAILS im aktuellen SLIDE CO2 - Z CLICK for Artwork 1723 / 1323 CLICK for Artwork 1916 CLICK for Artwork CO2 - Z CLICK for Artwork 1/10 EXHIBITIONS / AUSSTELLUNGEN atelier@sabine-pierick.de Cookies / Imprint Data Protection / Data Security

JWM Museum Westphalia The dignity of every human is inviolable Dignity of perception As a copper inlay in a charcoal background broken a thousand times into countless shimmering stones, the ancient symbol of intertwining triangles shines golden towards the viewer. A gathering of souls of a special kind manifests itself in the large-format panel painting when one listens to Sabine Pierick's thoughts on her work. From the depths of existence, the dead and the living penetrate the picture surface, stone by stone, bone by bone, breathing, exhaled, submerged, resurrected, living, pulsating, passing on.... Never-ending flow of life, embraced by the black gold in the heat and energy-storing element copper, sediment upon sediment, moving surfaces, quiet grounds, shift work on a human task. Death and resurrection, warning and encouragement, thesis, antithesis, synthesis, embrace in showing attitude: stand up, don't go along with it, listen to the quiet tones, look closely, question, take nothing for granted, don't let yourself be blinded, not even by the most beautiful symbol. Sabine Pierick's Star of David reminds us to stay awake. Her approach is ruthless perception. This does not exclude beauty. Photographic reproductions cannot do justice to Sabine Pierick's work. The image needs to be viewed up close to unfold its magic. The copper six-pointed star shines with varying intensity and color depending on the viewing angle and lighting against a background of countless shimmering fragments. She is also fascinated by the elements as building materials of life. The artist can still feel the energy that was used to obtain the raw materials during the processing, even if their form changes fundamentally. Her work appears archaic, through physical transformation. The works charged with this energy captivate you precisely because of their materiality and protrude into the room like sculptures. Back

Sabine Pierick: 1323 · Title: · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Sabine Pierick: 1323 · Title: · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Description: Within a clear geometric basic form - the circle - Sabine Pierick develops a complex material composition that can be situated in the tradition of material and surface art. In its experimental treatment of materials, the work is reminiscent of the works of Antoni Tàpies or Alberto Burri, who also worked with the transformation of materials and their surfaces. The circular copper plate serves as a support for a multi-layered surface structure. Through the use of different grain sizes of coal, various textures and reliefs emerge. The natural oxidation of the copper creates additional color nuances ranging from reddish-brown to green tones, reminiscent of the color experiments of Art Informel. The distribution of materials does not follow any strict geometric pattern, but rather develops its own organic formal language within the strict circular boundary. This creates an interesting tension between the geometric basic form and the free material design - a design principle that can also be found in minimalist art. Particularly noteworthy is the analogy to works of Arte Povera, with representatives like Jannis Kounellis. However, Pierick transforms this material aesthetic into a contemporary formal language, characterized by the precise elaboration of surface structures. The composition shows a balanced equilibrium between controlled artistic interventions and the natural processes of material transformation. This working method stands in the tradition of controlled chance, as can also be found in the works of Hans Arp or the material pictures of Emil Schumacher. Back

Sabine Pierick: 0915-01 · Title: Transformation · Dimensions: 160 x 210 cm · Material: Real copper on various granulated coal · Year: 2015 Description: The large-format material image presents itself as a powerful composition that impresses with the dramatic contrast between the deep black, graduated coal and the luminous real copper elements. The vertical arrangement of two mirrored, flame-like copper shapes, separated by a narrow gap, evokes associations with Lucio Fontana's groundbreaking "Concetto Spaziale" works of the 1950s and 60s. In the context of contemporary material art, the work positions itself at the interface of various discourses: It reflects questions about resources and their cultural significance, addresses the relationship between nature and industrial transformation, and, through its contemplative quality, opens up a space for existential reflections. Pierick's work is in the tradition of material and process art, but develops an independent position in contemporary art through the specific use of industrial materials and its reduced, almost mystical formal language. The work combines material presence with spiritual transcendence, creating a multi-layered meditation on time, transformation and the relationship between man and material. Back

Kunst, Ausstellung, Museum, Sabine Pierick: Pure Varity / Sortenrein · Title: Sortenrein 3 · Dimensions: 150 x 150 cm · Material: Copper sheet, oxidized, on variously granulated coal Year: 2023 Description: Overall, Pierick's work in the "Sortenrein" series is presented in a reduced, abstract visual language that leaves the viewer plenty of room for their own associations and interpretations. Her works convey a calm, meditative quality that invites the viewer to linger and reflect. Pierick's artistic approach in the "Sortenrein" series can be classified in the tradition of abstract, contemplative art, as found in artists of color field painting or minimalism. Her works are therefore in line with an art that is less concerned with conveying narrative content, but rather relies on the sensual effect of color, form and composition to put the viewer into a meditative state. Back

ART works Be Inspired! Anker 9 118 /17 Real copper disc and copper threads on carbon background Info >>> W: 150 x H 150 cm 2024 < to the gallery > Anker 10 666 W: 150 x H 150 cm Copper threads on black differently granulated carbon background < to the gallery > more Info >>> 2023 Anker 34 CO2 - Z Copper pipe on iridescent petrol background, luminescent W: 150 x H 150 cm (2 parts) < to the gallery > more Info >>> 2024 Anker 4 seasonal happiness spring Real copper disc on differently granulated hard coal more Info >>> W: 150 x H 150 cm < to the gallery > 2023 Anker 2 seasonal happiness summer Real copper disc on differently granulated hard coal more Info >>> W: 150 x H 150 cm < to the gallery > 2022 Anker 5 seasonal happiness autumn Real copper disc on differently granulated hard coal more Info >>> W: 150 x H 150 cm < to the gallery > 2023 Anker 3 seasonal happiness winter Real copper disc on differently granulated hard coal more Info >>> W: 150 x H 150 cm < to the gallery > 2022/23 Anker 7 1723 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 6 1323 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 8 1315 W: 150 x H 150 cm Real copper disc on differently granulated hard coal < to the gallery > more Info >>> 2015 Anker 32 915 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2015 Anker 31 418 Real copper on differently granulated hard coal W: 160 x H 210 cm < to the gallery > more Info >>> 2021 Anker 30 0915-01 Real copper on differently granulated hard coal W: 160 x H 210 cm < to the gallery > more Info >>> 2015 Anker 29 117 - 2 Granulated hard coal on real copper W: 150 x H 120 cm < to the gallery > more Info >>> 2018 Anker 27 117 Granulated hard coal on real copper W: 150 x H 120 cm < to the gallery > more Info >>> 2017 Anker 1 Pure variety 1 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 28 Pure variety 2 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 33 Pure variety 3 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 13 Last view on Pluto various granulated coal, petrol, luminescent W: 150 x H 150 cm < to the gallery > more Info >>> 2024 Anker 11 1916 ·Real copper on various granulated hard coal, petrol W: 120 x H 120 cm < to the gallery > more Info >>> 2016 Anker 25 1115 ·Real copper on various granulated hard coal, petrol W: 150 x H 120 cm < to the gallery > more Info >>> 2015 Anker 26 624 ·Real copper on various granulated hard coal, petrol W: 130 x H 180 cm < to the gallery > more Info >>> 2024 Anker 14 without Gold leaf, mixed media on canvas W: 150 x H 150 cm < to the gallery > more Info >>> 2015

Sabine Pierick: 1916 · Title: Waterblind · Dimensions: 120 x 120 cm · Material: Real copper on various granulated coal, petrol · Year: 2016 Description: The work "Wasserblind" shows a complex, geometric composition of rectangular shapes in various shades of green and blue, covered by a crystalline structure reminiscent of a water surface. The title alludes to the shimmering, elusive quality that emerges when looking at the work - like looking at water distorted by waves. The use of charcoal and copper pigments gives the image a shimmering metallic texture and tactile presence. Formally, the picture can be classified in the tradition of Op Art. Like other representatives of this art movement, e.g. Bridget Riley or Victor Vasarely, Pierick uses geometric shapes and color contrasts to evoke perceptual effects such as movement, depth and blurriness in the viewer. However, she gives these stylistic devices a very unique, substantial quality through the use of pure materials. Overall, "Wasserblind" evokes a complex visual experience that invites the viewer to explore the limits of perception. The play with illusion and reality, materiality and surface, order and movement creates a fascinating tension that puts the viewer into a state of concentration and reflection. Back

Sabine Pierick: 117-2 · Title: Junction · Dimensions: 150 x 120 cm · Material: Real copper on various granulated coal · Year: 2018 Description: This work presents itself as a complex composition on real copper, structured by a network of precisely drawn lines. The geometric abstraction is reminiscent of constructivist traditions, particularly the works of Piet Mondrian and the Russian Constructivists, but is here transferred into a contemporary context through the material presence of the copper. The black lines that run across the warm copper surface create a dynamic tension between order and chance. On the one hand, these lines appear mathematically precise, but as a whole they develop an almost organic quality that is reminiscent of urban structures or cartographic records. The material dialectic is particularly remarkable: the real copper with its characteristic coloring and surface structure forms a living background that enters into an active dialogue with the applied lines through its natural patina and reflective properties. The choice of material refers to industrial processes and traditional craftsmanship at the same time. Back

Sabine Pierick: 1315 · Title: Big Player · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Description: The monumental work "Big Player" is in the tradition of late modern material and process art, but reflects contemporary discourses on sustainability and resource awareness. The circular composition, realized in graduated coal and real copper, transcends the purely formal aesthetics of minimalist art and opens up a complex dialogue between industrial heritage and contemporary material aesthetics. The materials used are not only relevant in terms of formal aesthetics, but also give the work cultural and historical significance: the coal, as a witness to industrialization and at the same time as a fossil remnant of geological processes, points to the ambivalence of human development. Copper, on the other hand, one of the oldest metals used by humans, symbolizes both technological progress and the elemental connection to the earth. In the tradition of Arte Povera and German post-war material artists such as Joseph Beuys, Pierick develops his own material language that explores the tension between nature and culture, between geological time and human history. The haptic quality of the surface invites multi-sensory perception and thus overcomes the traditional distance between viewer and work of art. Back