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Exhibitions 2025 Artist Meeting, Knokke, Belgien G Internationale Präsentation aktueller Werke 2024 Biennale Venedig, Italien G Internationale Präsentation aktueller Werke zu Menschlichkeit und Materialität 2024 Jüdisches Museum, Dorsten E Werkserie über Erinnerung, Wert und kulturelle Identität 2023 Chelsea Art, London, UK G Teilnahme mit großformatigen Materialbildern aus Kohle, Kupfer und Petrol 2023 Main Art, Aschaffenburg G Präsentation abstrakter Werkkompositionen zur Transformation natürlicher Ressourcen 2023 Galerie Broome St., New York G Internationale Positionierung mit Fokus auf Rohstoffe als kulturelle Spiegel 2023 DAF, Köln G Thematische Ausstellung zu zeitgenössischer Materialkunst 2023 Franz*, Dorsten E Überblick über aktuelle Werkphase mit Schwerpunkt auf Kohle und Kupfer 2023 Parallax Art, London,UK G Experimentelle Materialarbeiten im internationalen Ko 2022 DAF , Frankfurt G Präsentation von Werken über natürliche Energiequellen und Vergänglichkeit 2022 Galerie Dortmund G Teilnahme an thematischer Ausstellung über Struktur und Oberfläche 2022 Galerie Casa del Arte, Mallorca G Mediterrane Perspektiven auf industrielle Materialien 2022 ARTe, Wiesbaden G Zeitgenössische Kunstmesse – Fokus auf Material und Textur 2022 Lohnhalle, Dorsten E „Mensch & Material“ – großformatige Werke aus Steinkohle und Echtkupfer 2022 Konstanz G Teilnahme mit Arbeiten zur Beziehung zwischen Mensch und Naturstoff 2022 La Villa, Starnberger See E Präsentation der Werkserie „Reflexionen“ – Kohle, Kupfer, Petrol 2021 Adlon, Berlin E Kunst im Dialog mit Architektur – Kohle als Symbol für Erinnerung 2021 Capital Club, Berlin G Auswahl zeitgenössischer Positionen deutscher Künstler:innen 2018 Extraschicht, Ruhrgebiet G Industriekultur als Inspirationsquelle für Materialkunst 2018 Fürst Leopold, Dorsten E Carbon I - Erste große Werkreihe mit Deputatkohle – Beginn der Kohle-Phase 2018 Maschinenhalle, Dorsten E Rauminstallation mit Kohle, Kupfer und Licht 2017 Extraschicht, Ruhrgebiet G Teilnahme an der Nacht der Industriekultur 2015 Entwicklung des eigenen Materials - Beginn der eigenständigen Materialforschung mit Kohle, Kupfer und Petrol 1988 - 2014 Div. Ausstellungen im In- und Ausland E+G Frühphase mit keramischen, metallischen und lackbasierten Arbeiten AWARDS 2023 Pinacothèque „Artistic Merit“, Luxembourg 2022 Pinacothèque „Artistic Merit“, Luxembourg BOOKLETS & MAGAZINES Back

www.atelier@sabine.pierick.com Atelier, Kunst, Biennale 2024, Zukunft; Energie, Fortschritt SABINE PIERICK Something new is emerging! Soon you will be able to discover inspiring works and experience creative impulses again. The deeper meaning comes from the material. Carbon C6 | King of the Elements Hard coal Copper C29 | Electricity and heat conductor Real copper Water H2O | Basis of all life Petrol "Art is a step from the visible known to the hidden" (K. Gibran) MY JOURNEY / BIOGRAFIE Anker 50 CLICK für DETAILS im aktuellen SLIDE CO2 - Z CLICK for Artwork 1723 / 1323 CLICK for Artwork 1916 CLICK for Artwork CO2 - Z CLICK for Artwork 1/10 EXHIBITIONS / AUSSTELLUNGEN atelier@sabine-pierick.de Cookies / Imprint Data Protection / Data Security

My Journey Her mind has always worked globally, questioning things. Her hands dig deep into the pool of material elements, searching for design, driven by a longing for manual penetration of the material and possibilities. Since her youth she has travelled all over the world and in each country she has learned a craft from which she could learn something about old traditions and the processing of natural resources into works of cultural value. In Tunisia she shaped clay into goods, in Mexico it was silversmithing whose shine magically attracted her, and in Europe's historic steel forge in the heart of the Ruhr region the shiny black gold from the mines captivated her senses. And here, finally, her lively critical spirit merged at the boiling point of a lifelong chain of knowledge from man and matter, in the perception and exploration of natural appearance and malleable form and, unconditionally, in the merciless face of the finiteness of global resources, to form a touching archaic trinity of essence in her current art: coal, copper and water - black gold, blue gold and, like the constant stream of life within it, the heat-conducting semi-precious metal Cu, soft, malleable and tough at the same time. Back

VENICE, 20.04 - 24.11 2024 BIENNALE ARTE 2024 Palazzo Bembo - C007 Sabine Pierick - Pallazzo Bembo - Room C007 Sabine Pierick bring unique and compelling reflections on climate change trough their distinct artistic approaches.. The artist graapple with themes of environmental fragility and human responsibilit. The methodes of expression and materials differ greatly. The installation „ELEMENTARY: 666 – 108/17 – CO2Z by Sabine Pierick tackles the global climate emergency with an industrial, yet elemental, perspective. Pierick uses copper, coal and water – materials that are both symbolic and literal in their connection to climate discourse. 118/17 150 x 150 cm 666 150 x 150 cm Her work is a fusion of art and science, with copper representing both the malleability of human effort and the responsibility of nations to achieve climate goals. The spiral structure of CO2Z, crafted from a 16-metre copper pipe, serves as a harsh critique of the global community`s inaction. CO2 - Z 2 parts 150 x 150 cm The installation symbolises the fragile balance betweeen the earth`s resources and the human race`s relentless consumption. Pierick`s use of the chemical periodic rtable highlights the elemental forces at play, while her stark message about greenwashing warns of the dangers of superficial climate solutions. …. Heat accelerates the ice`s disappearance, underscoring how human actions directly affect environmental degradiation. The sculpture`s unyielding paralysis, despite appearing mobile, is poignant reminder of our collective inertia in adressing climate change. Back

JWM Museum Westphalia The dignity of every human is inviolable Dignity of perception As a copper inlay in a charcoal background broken a thousand times into countless shimmering stones, the ancient symbol of intertwining triangles shines golden towards the viewer. A gathering of souls of a special kind manifests itself in the large-format panel painting when one listens to Sabine Pierick's thoughts on her work. From the depths of existence, the dead and the living penetrate the picture surface, stone by stone, bone by bone, breathing, exhaled, submerged, resurrected, living, pulsating, passing on.... Never-ending flow of life, embraced by the black gold in the heat and energy-storing element copper, sediment upon sediment, moving surfaces, quiet grounds, shift work on a human task. Death and resurrection, warning and encouragement, thesis, antithesis, synthesis, embrace in showing attitude: stand up, don't go along with it, listen to the quiet tones, look closely, question, take nothing for granted, don't let yourself be blinded, not even by the most beautiful symbol. Sabine Pierick's Star of David reminds us to stay awake. Her approach is ruthless perception. This does not exclude beauty. Photographic reproductions cannot do justice to Sabine Pierick's work. The image needs to be viewed up close to unfold its magic. The copper six-pointed star shines with varying intensity and color depending on the viewing angle and lighting against a background of countless shimmering fragments. She is also fascinated by the elements as building materials of life. The artist can still feel the energy that was used to obtain the raw materials during the processing, even if their form changes fundamentally. Her work appears archaic, through physical transformation. The works charged with this energy captivate you precisely because of their materiality and protrude into the room like sculptures. Back

Imprint Information according to § 5 TMG Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten Contact Sabine Pierick Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten E-Mail: atelier@sabine-pierick.de Autograph requests Please enclose a Please enclose a stamped envelope! Attn Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten Responsible for the content according to § 55 Abs. 2 RStV Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board. Liability for content As a service provider, we are responsible for our own content on these pages in accordance with Section 7 (1) TMG (German Telemedia Act) and general laws. According to §§ 8 to 10 TMG, however, we as a service provider are not obliged to monitor transmitted or stored third-party information or to investigate circumstances that indicate illegal activity. Obligations to remove or block the use of information in accordance with general legislation remain unaffected by this. However, liability in this respect is only possible from the time of knowledge of a specific infringement. As soon as we become aware of such infringements, we will remove this content immediately. Liability for links Our website contains links to external third-party websites over whose content we have no influence. Therefore, we cannot accept any liability for this third-party content. The respective provider or operator of the pages is always responsible for the content of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal content was not recognizable at the time of linking. However, permanent monitoring of the content of the linked pages is not reasonable without concrete evidence of an infringement. If we become aware of any legal infringements, we will remove such links immediately. Copyright The content and works created by the site operators on these pages are subject to German copyright law. Duplication, processing, distribution and any form of commercialization of such material beyond the scope of the copyright law shall require the prior written consent of its respective author or creator. Downloads and copies of this site are only permitted for private, non-commercial use. Insofar as the content on this site was not created by the operator, the copyrights of third parties are respected. In particular, third-party content is identified as such. Should you nevertheless become aware of a copyright infringement, please inform us accordingly. If we become aware of any infringements, we will remove such content immediately. Source: https://www.e-recht24.de/impressum-generator.html Data protection This privacy policy is intended to inform users of this website about the nature, scope and purpose of the collection and use of personal data by the website operator Sabine Pierick Fürst-Leopold-Allee 10 46284 Dorsten Contact: atelier@sabine-pierick.de The website operator takes your data protection very seriously and treats your personal data confidentially and in accordance with legal regulations. As new technologies and the constant further development of this website may result in changes to this data protection declaration, we recommend that you read the data protection declaration again at regular intervals. Definitions of the terms used (e.g. "personal data" or "processing") can be found in Art. 4 GDPR. Conception, design and development of the website Wix.com Back

Sabine Pierick: Elementary ·Title: 118/17 ·Dimensions: 150 x 150 cm ·Material: Real copper disc with copper threads on granulated coal ·Year: 2024 Description: This fascinating installation uniquely combines science, global politics and aesthetic sophistication. 118 precisely arranged copper threads corresponding to the elements of the periodic table are interwoven with 17 concentric circles - a subtle nod to the UN Sustainable Development Goals. The mathematical precision of the work, with references to pi and the circumference of the earth, as well as the symbolic excess length of the threads, which refers to the 196 recognized states of the world, make this piece an intellectual and visual experience. Sabine Pierick's installation "ELEMENTARY: 118/17" can be placed in the context of conceptual environmental art, which has gained increasing importance since the 1960s. The work is characterized by its complex symbolism and the fusion of scientific, political and aesthetic elements. The use of 118 copper threads, which correspond to the elements of the periodic table, refers to the fundamental structure of matter and thus connects the work of art with the natural sciences, and is also in the tradition of contemporary artists such as Tomás Saraceno or Olafur Eliasson, who integrate scientific concepts into their works. The 17 concentric circles, which represent the UN sustainability goals, give the work an explicitly political dimension. Pierick thus addresses current global challenges and positions her work in the discourse on sustainability and global responsibility. This approach is reminiscent of the tradition of political art, as represented by Joseph Beuys, for example, with his expanded concept of art. The mathematical precision in the conception of the work - with the reference to Pi and the circumference of the earth as well as the extra length of the threads as a reference to the 196 recognized states - shows Pierick's interest in the connection between art, mathematics and geopolitics. This linking of different fields of knowledge in one work of art is reminiscent of conceptual approaches such as those of Sol LeWitt or Hanne Darboven. From a formal perspective, the work "ELEMENTARY: 118/17" is in the tradition of minimalist and geometric abstraction. The circular composition and the use of copper as a material are reminiscent of works by artists such as Donald Judd or Carl Andre, who used industrial materials in art. At the same time, Pierick transcends pure formalism by charging it with symbolic meanings. The choice of copper as a material is both aesthetically and conceptually significant. Copper, a conductive metal, could be interpreted here as a symbol of connection and interconnectedness - in keeping with the global issues that the work addresses. In addition, the warm color of the copper subtly refers to global warming, a central theme of the Anthropocene. In the broader context of contemporary art, Pierick's work can be placed within the growing movement of ecologically engaged art. Artists such as Hans Haacke, Agnes Denes or, more contemporary, Olafur Eliasson have taken up similar themes, albeit with different approaches. Pierick's work is characterized by his ability to express complex global issues in an aesthetically pleasing and intellectually challenging way. It exemplifies art that is not only visually effective, but can also act as a catalyst for discussions on pressing global issues. In summary, "ELEMENTARY: 118/17 represents a significant example of the fusion of aesthetic form, scientific precision and political engagement in contemporary art. It challenges the viewer to reflect on the complex relationships between science, politics and the environment, thereby positioning itself at the intersection of art, activism and research. Pierick's work is characterized by his ability to express complex global issues in an aesthetically pleasing and intellectually challenging way. It exemplifies art that is not only visually effective, but can also act as a catalyst for discussions on pressing global issues. In summary, "ELEMENTARY: 118/17 represents a significant example of the fusion of aesthetic form, scientific precision and political engagement in contemporary art. It challenges the viewer to reflect on the complex relationships between science, politics and the environment, thereby positioning itself at the intersection of art, activism and research. Back

Sabine Pierick: 1323 · Title: · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Sabine Pierick: 1323 · Title: · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Description: Within a clear geometric basic form - the circle - Sabine Pierick develops a complex material composition that can be situated in the tradition of material and surface art. In its experimental treatment of materials, the work is reminiscent of the works of Antoni Tàpies or Alberto Burri, who also worked with the transformation of materials and their surfaces. The circular copper plate serves as a support for a multi-layered surface structure. Through the use of different grain sizes of coal, various textures and reliefs emerge. The natural oxidation of the copper creates additional color nuances ranging from reddish-brown to green tones, reminiscent of the color experiments of Art Informel. The distribution of materials does not follow any strict geometric pattern, but rather develops its own organic formal language within the strict circular boundary. This creates an interesting tension between the geometric basic form and the free material design - a design principle that can also be found in minimalist art. Particularly noteworthy is the analogy to works of Arte Povera, with representatives like Jannis Kounellis. However, Pierick transforms this material aesthetic into a contemporary formal language, characterized by the precise elaboration of surface structures. The composition shows a balanced equilibrium between controlled artistic interventions and the natural processes of material transformation. This working method stands in the tradition of controlled chance, as can also be found in the works of Hans Arp or the material pictures of Emil Schumacher. Back

Sabine Pierick: 117-2 · Title: Junction · Dimensions: 150 x 120 cm · Material: Real copper on various granulated coal · Year: 2018 Description: This work presents itself as a complex composition on real copper, structured by a network of precisely drawn lines. The geometric abstraction is reminiscent of constructivist traditions, particularly the works of Piet Mondrian and the Russian Constructivists, but is here transferred into a contemporary context through the material presence of the copper. The black lines that run across the warm copper surface create a dynamic tension between order and chance. On the one hand, these lines appear mathematically precise, but as a whole they develop an almost organic quality that is reminiscent of urban structures or cartographic records. The material dialectic is particularly remarkable: the real copper with its characteristic coloring and surface structure forms a living background that enters into an active dialogue with the applied lines through its natural patina and reflective properties. The choice of material refers to industrial processes and traditional craftsmanship at the same time. Back

Sabine Pierick: 1916 · Title: Waterblind · Dimensions: 120 x 120 cm · Material: Real copper on various granulated coal, petrol · Year: 2016 Description: The work "Wasserblind" shows a complex, geometric composition of rectangular shapes in various shades of green and blue, covered by a crystalline structure reminiscent of a water surface. The title alludes to the shimmering, elusive quality that emerges when looking at the work - like looking at water distorted by waves. The use of charcoal and copper pigments gives the image a shimmering metallic texture and tactile presence. Formally, the picture can be classified in the tradition of Op Art. Like other representatives of this art movement, e.g. Bridget Riley or Victor Vasarely, Pierick uses geometric shapes and color contrasts to evoke perceptual effects such as movement, depth and blurriness in the viewer. However, she gives these stylistic devices a very unique, substantial quality through the use of pure materials. Overall, "Wasserblind" evokes a complex visual experience that invites the viewer to explore the limits of perception. The play with illusion and reality, materiality and surface, order and movement creates a fascinating tension that puts the viewer into a state of concentration and reflection. Back

Sabine Pierick: Pure Varity / Sortenrein · Title: Sortenrein 3 · Dimensions: 150 x 150 cm · Material: Copper sheet, oxidized, on variously granulated coal Year: 2023 Description: Overall, Pierick's work in the "Sortenrein" series is presented in a reduced, abstract visual language that leaves the viewer plenty of room for their own associations and interpretations. Her works convey a calm, meditative quality that invites the viewer to linger and reflect. Pierick's artistic approach in the "Sortenrein" series can be classified in the tradition of abstract, contemplative art, as found in artists of color field painting or minimalism. Her works are therefore in line with an art that is less concerned with conveying narrative content, but rather relies on the sensual effect of color, form and composition to put the viewer into a meditative state. Back

Sabine Pierick: 0915-01 · Title: Transformation · Dimensions: 160 x 210 cm · Material: Real copper on various granulated coal · Year: 2015 Description: The large-format material image presents itself as a powerful composition that impresses with the dramatic contrast between the deep black, graduated coal and the luminous real copper elements. The vertical arrangement of two mirrored, flame-like copper shapes, separated by a narrow gap, evokes associations with Lucio Fontana's groundbreaking "Concetto Spaziale" works of the 1950s and 60s. In the context of contemporary material art, the work positions itself at the interface of various discourses: It reflects questions about resources and their cultural significance, addresses the relationship between nature and industrial transformation, and, through its contemplative quality, opens up a space for existential reflections. Pierick's work is in the tradition of material and process art, but develops an independent position in contemporary art through the specific use of industrial materials and its reduced, almost mystical formal language. The work combines material presence with spiritual transcendence, creating a multi-layered meditation on time, transformation and the relationship between man and material. Back