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Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Beschreibung: Vier kupferne Kreise als Quadriga des Jahreszeitenglücks von einem Meter Durchmesser, an mythologische Erdscheiben erinnernd, haben entsprechend der vier Jahreszeitenquartale jeweils für eine Jahreszeit lang in Wiese und Feld den gesamten Zyklus der Natur durchlaufen. In der Hitze des Sommers annähernd verglüht, unter Regengeprassel korrodiert, von Wind und Wetter deutlich gebeult, mit kristallinem Schneegestöber zauberhaft bekrustet, vom Sturm wie Schilde ins Erdreich geschleudert, allesamt von Sonne, Mond und Sternen lächelnd beschienen. Als liebevoll den Naturkräften „Ausgesetzte“ hatten die Pierickschen Jahreszeitenscheiben jeweils saisonal Zeit, um den Reichtum der Erde im Akt der Begegnung von Zeit, Raum und Materie auf jede einzelne Kupferplatte als facettenreiches Spektrum zu bannen und uns als archaische Kostbarbeit zu spiegeln. Sabine Piericks "Jahreszeitenglück" präsentiert sich als ein vielschichtiges, prozessorientiertes Kunstprojekt, das die traditionellen Grenzen zwischen künstlerischer Intention, natürlichen Prozessen und temporaler Dimension transzendiert. Das Werk von vier Kupferscheiben, die jeweils eine Jahreszeit verkörpern, offenbart eine konzeptuelle Tiefe, die über die rein visuelle Ästhetik hinausreicht. Back

ART works Be Inspired! Anker 9 118 /17 Real copper disc and copper threads on carbon background Info >>> W: 150 x H 150 cm 2024 < to the gallery > Anker 10 666 W: 150 x H 150 cm Copper threads on black differently granulated carbon background < to the gallery > more Info >>> 2023 Anker 34 CO2 - Z Copper pipe on iridescent petrol background, luminescent W: 150 x H 150 cm (2 parts) < to the gallery > more Info >>> 2024 Anker 4 seasonal happiness spring Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 2 seasonal happiness summer Real copper disc on differently granulated hard coal more Info >>> W: 150 x H 150 cm < to the gallery > 2022 Anker 5 seasonal happiness autumn Real copper disc on differently granulated hard coal W: 150 x H 150 cm 2023 < to the gallery > more Info >>> Anker 3 seasonal happiness winter Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2022/23 Anker 7 1723 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 6 1323 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 8 1315 W: 150 x H 150 cm Real copper disc on differently granulated hard coal < to the gallery > more Info >>> 2015 Anker 32 915 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2015 Anker 31 418 Real copper on differently granulated hard coal W: 160 x H 210 cm < to the gallery > more Info >>> 2021 Anker 30 0915-01 Real copper on differently granulated hard coal W: 160 x H 210 cm < to the gallery > more Info >>> 2015 Anker 29 117 - 2 Granulated hard coal on real copper W: 150 x H 120 cm < to the gallery > more Info >>> 2018 Anker 27 117 Granulated hard coal on real copper W: 150 x H 120 cm < to the gallery > more Info >>> 2017 Anker 1 Pure variety 1 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 28 Pure variety 2 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 33 Pure variety 3 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 13 Last view on Pluto various granulated coal, petrol, luminescent W: 150 x H 150 cm < to the gallery > more Info >>> 2024 Anker 11 1916 ·Real copper on various granulated hard coal, petrol W: 120 x H 120 cm < to the gallery > more Info >>> 2016 Anker 25 1115 ·Real copper on various granulated hard coal, petrol W: 150 x H 120 cm < to the gallery > more Info >>> 2015 Anker 26 624 ·Real copper on various granulated hard coal, petrol W: 130 x H 180 cm < to the gallery > more Info >>> 2024 Anker 14 without Gold leaf, mixed media on canvas W: 150 x H 150 cm < to the gallery > more Info >>> 2015

Sabine Pierick: Elementary ·Title: 118/17 ·Dimensions: 150 x 150 cm ·Material: Real copper disc with copper threads on granulated coal ·Year: 2024 Description: This fascinating installation uniquely combines science, global politics and aesthetic sophistication. 118 precisely arranged copper threads corresponding to the elements of the periodic table are interwoven with 17 concentric circles - a subtle nod to the UN Sustainable Development Goals. The mathematical precision of the work, with references to pi and the circumference of the earth, as well as the symbolic excess length of the threads, which refers to the 196 recognized states of the world, make this piece an intellectual and visual experience. Sabine Pierick's installation "ELEMENTARY: 118/17" can be placed in the context of conceptual environmental art, which has gained increasing importance since the 1960s. The work is characterized by its complex symbolism and the fusion of scientific, political and aesthetic elements. The use of 118 copper threads, which correspond to the elements of the periodic table, refers to the fundamental structure of matter and thus connects the work of art with the natural sciences, and is also in the tradition of contemporary artists such as Tomás Saraceno or Olafur Eliasson, who integrate scientific concepts into their works. The 17 concentric circles, which represent the UN sustainability goals, give the work an explicitly political dimension. Pierick thus addresses current global challenges and positions her work in the discourse on sustainability and global responsibility. This approach is reminiscent of the tradition of political art, as represented by Joseph Beuys, for example, with his expanded concept of art. The mathematical precision in the conception of the work - with the reference to Pi and the circumference of the earth as well as the extra length of the threads as a reference to the 196 recognized states - shows Pierick's interest in the connection between art, mathematics and geopolitics. This linking of different fields of knowledge in one work of art is reminiscent of conceptual approaches such as those of Sol LeWitt or Hanne Darboven. From a formal perspective, the work "ELEMENTARY: 118/17" is in the tradition of minimalist and geometric abstraction. The circular composition and the use of copper as a material are reminiscent of works by artists such as Donald Judd or Carl Andre, who used industrial materials in art. At the same time, Pierick transcends pure formalism by charging it with symbolic meanings. The choice of copper as a material is both aesthetically and conceptually significant. Copper, a conductive metal, could be interpreted here as a symbol of connection and interconnectedness - in keeping with the global issues that the work addresses. In addition, the warm color of the copper subtly refers to global warming, a central theme of the Anthropocene. In the broader context of contemporary art, Pierick's work can be placed within the growing movement of ecologically engaged art. Artists such as Hans Haacke, Agnes Denes or, more contemporary, Olafur Eliasson have taken up similar themes, albeit with different approaches. Pierick's work is characterized by his ability to express complex global issues in an aesthetically pleasing and intellectually challenging way. It exemplifies art that is not only visually effective, but can also act as a catalyst for discussions on pressing global issues. In summary, "ELEMENTARY: 118/17 represents a significant example of the fusion of aesthetic form, scientific precision and political engagement in contemporary art. It challenges the viewer to reflect on the complex relationships between science, politics and the environment, thereby positioning itself at the intersection of art, activism and research. Pierick's work is characterized by his ability to express complex global issues in an aesthetically pleasing and intellectually challenging way. It exemplifies art that is not only visually effective, but can also act as a catalyst for discussions on pressing global issues. In summary, "ELEMENTARY: 118/17 represents a significant example of the fusion of aesthetic form, scientific precision and political engagement in contemporary art. It challenges the viewer to reflect on the complex relationships between science, politics and the environment, thereby positioning itself at the intersection of art, activism and research. Back

Imprint Information according to § 5 TMG Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten Contact Sabine Pierick Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten E-Mail: atelier@sabine-pierick.de Autograph requests Please enclose a Please enclose a stamped envelope! Attn Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten Responsible for the content according to § 55 Abs. 2 RStV Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board. Liability for content As a service provider, we are responsible for our own content on these pages in accordance with Section 7 (1) TMG (German Telemedia Act) and general laws. According to §§ 8 to 10 TMG, however, we as a service provider are not obliged to monitor transmitted or stored third-party information or to investigate circumstances that indicate illegal activity. Obligations to remove or block the use of information in accordance with general legislation remain unaffected by this. However, liability in this respect is only possible from the time of knowledge of a specific infringement. As soon as we become aware of such infringements, we will remove this content immediately. Liability for links Our website contains links to external third-party websites over whose content we have no influence. Therefore, we cannot accept any liability for this third-party content. The respective provider or operator of the pages is always responsible for the content of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal content was not recognizable at the time of linking. However, permanent monitoring of the content of the linked pages is not reasonable without concrete evidence of an infringement. If we become aware of any legal infringements, we will remove such links immediately. Copyright The content and works created by the site operators on these pages are subject to German copyright law. Duplication, processing, distribution and any form of commercialization of such material beyond the scope of the copyright law shall require the prior written consent of its respective author or creator. Downloads and copies of this site are only permitted for private, non-commercial use. Insofar as the content on this site was not created by the operator, the copyrights of third parties are respected. In particular, third-party content is identified as such. Should you nevertheless become aware of a copyright infringement, please inform us accordingly. If we become aware of any infringements, we will remove such content immediately. Source: https://www.e-recht24.de/impressum-generator.html Data protection This privacy policy is intended to inform users of this website about the nature, scope and purpose of the collection and use of personal data by the website operator Sabine Pierick Fürst-Leopold-Allee 10 46284 Dorsten Contact: atelier@sabine-pierick.de The website operator takes your data protection very seriously and treats your personal data confidentially and in accordance with legal regulations. As new technologies and the constant further development of this website may result in changes to this data protection declaration, we recommend that you read the data protection declaration again at regular intervals. Definitions of the terms used (e.g. "personal data" or "processing") can be found in Art. 4 GDPR. Conception, design and development of the website Wix.com Back

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My Journey Her mind has always worked globally, questioning things. Her hands dig deep into the pool of material elements, searching for design, driven by a longing for manual penetration of the material and possibilities. Since her youth she has travelled all over the world and in each country she has learned a craft from which she could learn something about old traditions and the processing of natural resources into works of cultural value. In Tunisia she shaped clay into goods, in Mexico it was silversmithing whose shine magically attracted her, and in Europe's historic steel forge in the heart of the Ruhr region the shiny black gold from the mines captivated her senses. And here, finally, her lively critical spirit merged at the boiling point of a lifelong chain of knowledge from man and matter, in the perception and exploration of natural appearance and malleable form and, unconditionally, in the merciless face of the finiteness of global resources, to form a touching archaic trinity of essence in her current art: coal, copper and water - black gold, blue gold and, like the constant stream of life within it, the heat-conducting semi-precious metal Cu, soft, malleable and tough at the same time. Back

Sabine Pierick: · Title: CO2 - Z · Dimensions: 150 x 150 cm (2 parts) · Material: ·Copper pipe on iridescent petrol background · Year: 2024 Description: "CO2-Z" is more than just an artwork – it is a statement, a fusion of aesthetic innovation and burning topicality. The centerpiece of the installation is a fascinating wall object made of handcrafted copper on canvas. The deep, meditative luminescent petroleum is traversed by precisely placed copper lines that culminate in a central ring - a visual metaphor for our planet's carbon cycle. The materials used - copper, coal, and water - are carefully chosen to reflect the complexity of the climate debate. Pierick's innovative technique transforms a 15-meter-long copper pipe into a delicate structure that simultaneously unites industrial precision and organic shaping. The installation is complemented by an amorphous floor component that can be adapted to different exhibition spaces, thus offering flexibility for various contexts. "CO2-Z" is not just an aesthetic eye-catcher, but also a work of high conceptual depth. It addresses one of the most pressing issues of our time - climate change - in a manner that is both intellectually stimulating and visually impressive. In this fusion of aesthetic refinement and ecological engagement, Pierick's work aligns itself with the tradition of conceptual and environmental art. She creates a dialogue between industrial precision and natural unpredictability, challenging the viewer to reflect on the complex interconnections between human actions and global environmental changes. "CO2-Z" promises to be a conversation piece of enduring value that redefines the boundaries between art, science, and ecological consciousness. One can be pessimistic if one looks at the possible end. Sabine Pierick explores the flourishing certificate trade in an artistically ruthless way as a doomsday scenario, already down to earth. Anyone who does not pull the lever ends up in a dripping, tarry puddle of lifelessness. Her frighteningly clear formula is greenwashing = doomdating. The impetus is clear: anyone who rids themselves of their responsibility not only risks, but is responsible for the decline of our planet into irreversible rigidity. When Robert Smithson placed his legendary 1500-meter-long earthwork "Spiral Jetty" at the edge of a salt lake in Utah in 1970, he combined the formally highly energetic landmark of black basalt stones with a deeply spiritual force tied to geology. Today, his land art icon, which remained invisible for decades due to flooding, lies dormant once again in the desolation of the salt flats. Inevitably, one senses the connection of the spiral-shaped symbols through the centuries. Topic: Water Risk. Fifty-four years after Smithson, Sabine Pierick lays down her 15-meter-long copper spiral installation like a universal memorial directly on planetary ground, instantly mapping humanity's realm of responsibility on a global scale. Is it still an oasis, or already on the way to becoming a wasteland? The CO2-Z spiral challenges the mind to focus while relentlessly expanding perception to take personal responsibility. When everything is at stake, the symbols must be compelling—especially as darkness encroaches ever more. Back

Sabine Pierick: DIGITAL OVEREUPHORIA · Title: 666 · Dimensions: 150 x 150 cm · Material: copper threads on black differently granulated carbon background · Year: 2023 Description: From the circle of coal, broken a thousand times over in black and gold, like a silhouette background encircling the world, the copper soul spins a memorizing thread as a human lament. Or 666. A veined labyrinth of a world on the self-destructive edge of limitless possibilities. Or an airy web against the ghosts that one has summoned and that one could still grab if one only wanted to. This artistic vision seems to be deeply rooted in the exploration of matter, nature and transformation. She uses her materials to reflect the duality of chaos and order, nature and man, permanence and transience. Her works invite the viewer to experience the transformation of raw materials into art and to discover an emotional and spiritual connection to these processes. This enigmatic work "666" manifests a remarkable synthesis of technology-critical reflection and aesthetic finesse. The large-format work, which is characterized by its stringent composition and the virtuoso use of charcoal and copper, transcends mere material presence and establishes itself as a multi-layered commentary on the digital turning point. The central, circular composition, which is made up of exactly 666 threads, immediately evokes associations with neural networks or digital connections. This numerical precision is by no means arbitrary; it deliberately refers to the sales price of the first Apple computer and thus creates a subtle connection to the genesis of personal computer technology. At the same time, the numerical symbolism evokes the biblical connotation of the "number of the beast", whereby Pierick cleverly initiates a critical discourse on the potential ambivalence of technological progress. A remarkable dialectic is manifested in the material execution: the use of coal and copper - materials that are emblematic of the industrial revolution - to represent digital networking builds a bridge between different eras of technological evolution. This choice of material is not only aesthetically but also conceptually stringent and underlines Pierick's nuanced understanding of the historical dimension of her subject. The work "666" oscillates between abstract representation and concrete material presence, with the filigree copper threads developing an almost kinetic quality. In the context of contemporary art, "666" positions itself as a significant contribution to the discourse on the digital transformation of society. Pierick succeeds in transforming the often abstract and elusive nature of digital networking into a concrete, physical form without falling into simple illustration. Instead, she creates a work of remarkable conceptual depth that is simultaneously aesthetically captivating and intellectually challenging. The "digital over-euphoria" that Pierick critically reflects here is not denounced in a striking way, but rather is transformed through aesthetic transformation into a field of tension that invites the viewer to engage in their own critical reflection. In this respect, the work proves to be paradigmatic of an art that addresses the pressing questions of the present without giving up its aesthetic autonomy. Back

Sabine Pierick: 1115 · Title: Flux · Dimensions: 150 x 120 cm · Material: Real copper on various granulated coal, petrol · Year: 2015 Description: The work "FLUX" impresses with its rhythmic structure of parallel diagonals in three materials: the velvety black of charcoal, the metallic shine of real copper and the intensity of petrol. This triad is reminiscent of the material experiments of Arte Povera, but through the precise geometric arrangement it develops its own quality, oscillating between order and sensual presence. The diagonal alignment creates a dynamic tension that sets the picture in motion despite its strict composition. The technical execution of the material transitions is remarkable; despite the geometric rigor, they have a subtle liveliness. This is particularly evident in the slightly irregular edges of the copper strips, which are reminiscent of the tactile quality of Robert Ryman's material art. The use of petrol as a contemporary color accent also creates a spatial depth that elevates the work beyond a purely geometric abstraction. In the systematic repetition of diagonal stripes and the precise processing of materials, Pierick develops the minimalist tradition into an independent position that combines precise craftsmanship with material sensuality. She succeeds in creating a contemporary interpretation of geometric abstraction that brings the constructivist heritage into a convincing dialogue with contemporary material aesthetics. Back

Sabine Pierick: SEASONAL HAPPINESS · Title: Summer · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2022 Description: Sabine Pierick’s works reveal an artistic vision that is strongly influenced by the connection between nature, matter and transformation. Sabine Pierick uses unusual materials such as coal and real copper, which draw on natural, raw elements. This choice suggests that she explores the physical nature of the world - both its permanence and its mutability - as the basis of her art. Copper, which oxidizes over time, and coal, which is deeply connected to industrial and natural processes, are symbolic of change and transformation. Her artistic vision may aim to reveal the hidden beauty and potential of such materials, transforming them into something visually dynamic. In her artistic practice, Pierick uses a methodology that is reminiscent of the conceptual art of the 1960s and 70s, especially artists such as Hans Haacke or John Cage, who integrated natural processes into their works. By exposing the copper discs to the elements for a quarter at a time, the artist elevates nature itself to the role of co-creator. This approach results in a fascinating synthesis of artistic intention and natural intervention. Back

Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Autumn · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Back