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Sabine Pierick: SEASONAL HAPPINESS · Title: Summer · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2022 Description: Sabine Pierick’s works reveal an artistic vision that is strongly influenced by the connection between nature, matter and transformation. Sabine Pierick uses unusual materials such as coal and real copper, which draw on natural, raw elements. This choice suggests that she explores the physical nature of the world - both its permanence and its mutability - as the basis of her art. Copper, which oxidizes over time, and coal, which is deeply connected to industrial and natural processes, are symbolic of change and transformation. Her artistic vision may aim to reveal the hidden beauty and potential of such materials, transforming them into something visually dynamic. In her artistic practice, Pierick uses a methodology that is reminiscent of the conceptual art of the 1960s and 70s, especially artists such as Hans Haacke or John Cage, who integrated natural processes into their works. By exposing the copper discs to the elements for a quarter at a time, the artist elevates nature itself to the role of co-creator. This approach results in a fascinating synthesis of artistic intention and natural intervention. Back

Sabine Pierick: DIGITAL OVEREUPHORIA · Title: 666 · Dimensions: 150 x 150 cm · Material: copper threads on black differently granulated carbon background · Year: 2023 Description: From the circle of coal, broken a thousand times over in black and gold, like a silhouette background encircling the world, the copper soul spins a memorizing thread as a human lament. Or 666. A veined labyrinth of a world on the self-destructive edge of limitless possibilities. Or an airy web against the ghosts that one has summoned and that one could still grab if one only wanted to. This artistic vision seems to be deeply rooted in the exploration of matter, nature and transformation. She uses her materials to reflect the duality of chaos and order, nature and man, permanence and transience. Her works invite the viewer to experience the transformation of raw materials into art and to discover an emotional and spiritual connection to these processes. This enigmatic work "666" manifests a remarkable synthesis of technology-critical reflection and aesthetic finesse. The large-format work, which is characterized by its stringent composition and the virtuoso use of charcoal and copper, transcends mere material presence and establishes itself as a multi-layered commentary on the digital turning point. The central, circular composition, which is made up of exactly 666 threads, immediately evokes associations with neural networks or digital connections. This numerical precision is by no means arbitrary; it deliberately refers to the sales price of the first Apple computer and thus creates a subtle connection to the genesis of personal computer technology. At the same time, the numerical symbolism evokes the biblical connotation of the "number of the beast", whereby Pierick cleverly initiates a critical discourse on the potential ambivalence of technological progress. A remarkable dialectic is manifested in the material execution: the use of coal and copper - materials that are emblematic of the industrial revolution - to represent digital networking builds a bridge between different eras of technological evolution. This choice of material is not only aesthetically but also conceptually stringent and underlines Pierick's nuanced understanding of the historical dimension of her subject. The work "666" oscillates between abstract representation and concrete material presence, with the filigree copper threads developing an almost kinetic quality. In the context of contemporary art, "666" positions itself as a significant contribution to the discourse on the digital transformation of society. Pierick succeeds in transforming the often abstract and elusive nature of digital networking into a concrete, physical form without falling into simple illustration. Instead, she creates a work of remarkable conceptual depth that is simultaneously aesthetically captivating and intellectually challenging. The "digital over-euphoria" that Pierick critically reflects here is not denounced in a striking way, but rather is transformed through aesthetic transformation into a field of tension that invites the viewer to engage in their own critical reflection. In this respect, the work proves to be paradigmatic of an art that addresses the pressing questions of the present without giving up its aesthetic autonomy. Back

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Sabine Pierick: SEASONAL HAPPINESS · Title: Spring · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Sabine Pierick: SEASONAL HAPPINESS · Title: Spring · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2023 Description: Four copper circles, one meter in diameter, as a quadriga of seasonal happiness, reminiscent of mythological earth disks, have gone through the entire cycle of nature in meadows and fields for 12 months, corresponding to the four seasonal quarters. Almost burnt up in the heat of summer, corroded by the patter of rain, clearly dented by wind and weather, magically encrusted with crystalline snow flurries, hurled into the ground like shields by the storm, all of them smilingly illuminated by the sun, moon and stars. As lovingly "exposed" to the forces of nature, Pierick's seasonal disks had time each season to capture the earth's wealth in the act of the encounter of time, space and matter on each individual copper plate as a multifaceted spectrum and to reflect it to us as an archaic treasure. Sabine Pierick's "Seasonal Happiness" presents itself as a multi-layered, process-oriented art project that transcends the traditional boundaries between artistic intention, natural processes and temporal dimension. The work, which manifests itself as part of a larger series of four copper discs, each embodying a season, reveals a conceptual depth that goes beyond purely visual aesthetics. Back

Sabine Pierick ·Title: Sneak View Year: 2023 Back

My Inspirations Works with unusual materials that address current topics are always exciting discoveries that can be experienced in her artistic works. For years, the artist has been concerned with the exploitation of resources over time. Sabine Pierick's early engagement with existentialism led to a special view of the species and the world. “Art is a step from the visible known to the hidden unknown.” (K.Gibran) The deeper meaning of her work comes from the material: rationed coal, real copper and the colour petrol. She uses only these materials to create her large-scale works, which unfold their magic in the interplay of visual fascination and depth of content. Beauty is the consolation, the deeper thought contains fear but also hope. Sabine Pierick basically follows her natural instinct to want to coax the earth's inherent beauty out of her, always anew, full of energy, like an innate, insatiable desire for a sensual, creative appropriation of our world. She digs deep into the segment, crushes it with her own hands, patinates it, lets nature change and then catapults the earth's treasures into her own Pierick universe. Carbon C / atomic number 6. Substance of life. Back

BIO The works of Sabine Pierick as an informal form of expression of contemporary art, thinking differently about the meaning of material and playing with the feelings of the viewer. Unique, individual works are created from serial work processes and structures. Sabine Pierick makes use of the slight changes that occur when original inaccuracies are further reinforced. These forms create a sculptural design and ultimately a large, organic composition. The result is a game with the material, its repetition and the resulting effect. The individual elements made of coal, copper and petroleum appear identical individually and appear rigid as a material, but gain an impressive lightness and liveliness through the modular design, the openwork structures and the incident light. The play with variations and modifications expands the works into the space and beyond its characteristic material boundaries. The works play with the viewer's expectations of a painted picture. When looking closely at the works, the inconsistent casting of light and shadow is irritating. The light seems to come from several directions. In addition, the intensity and color of the works change depending on which point in the room you look at them from. When you move, subtle changes occur, giving the works a very special liveliness. A central element in Pierick's art is playing with the viewer's expectations. At first glance, the works look like painted pictures, but upon closer inspection, the inconsistent cast of light and shadow is irritating. The light seems to come from several directions and the intensity and color of the works change depending on the viewing angle. This subtle dynamic gives the works a unique liveliness and creates a special interaction between the work of art and the viewer. The dynamic changes in space create a fascinating, lively experience that goes far beyond the classic perception of art. Through her unique choice of materials, Pierick reflects on the transformation of materials and their influence on the perception of space and time. Her works of art invite the viewer to take a new look at the complexity of industrial production and natural resources and encourage them to engage with ecological issues. Through her unique choice of materials, Pierick reflects on the transformation of materials and their influence on the perception of space and time. Her works of art invite the viewer to take a new look at the complexity of industrial production and natural resources and encourage them to engage with ecological issues. My Journey

Art and Living

Imprint Information according to § 5 TMG Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten Contact Sabine Pierick Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten E-Mail: atelier@sabine-pierick.de Autograph requests Please enclose a Please enclose a stamped envelope! Attn Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten Responsible for the content according to § 55 Abs. 2 RStV Sabine Pierick Fürst-Leopold-Allee 1 46284 Dorsten We are not willing or obliged to participate in dispute resolution proceedings before a consumer arbitration board. Liability for content As a service provider, we are responsible for our own content on these pages in accordance with Section 7 (1) TMG (German Telemedia Act) and general laws. According to §§ 8 to 10 TMG, however, we as a service provider are not obliged to monitor transmitted or stored third-party information or to investigate circumstances that indicate illegal activity. Obligations to remove or block the use of information in accordance with general legislation remain unaffected by this. However, liability in this respect is only possible from the time of knowledge of a specific infringement. As soon as we become aware of such infringements, we will remove this content immediately. Liability for links Our website contains links to external third-party websites over whose content we have no influence. Therefore, we cannot accept any liability for this third-party content. The respective provider or operator of the pages is always responsible for the content of the linked pages. The linked pages were checked for possible legal violations at the time of linking. Illegal content was not recognizable at the time of linking. However, permanent monitoring of the content of the linked pages is not reasonable without concrete evidence of an infringement. If we become aware of any legal infringements, we will remove such links immediately. Copyright The content and works created by the site operators on these pages are subject to German copyright law. Duplication, processing, distribution and any form of commercialization of such material beyond the scope of the copyright law shall require the prior written consent of its respective author or creator. Downloads and copies of this site are only permitted for private, non-commercial use. Insofar as the content on this site was not created by the operator, the copyrights of third parties are respected. In particular, third-party content is identified as such. Should you nevertheless become aware of a copyright infringement, please inform us accordingly. If we become aware of any infringements, we will remove such content immediately. Source: https://www.e-recht24.de/impressum-generator.html Data protection This privacy policy is intended to inform users of this website about the nature, scope and purpose of the collection and use of personal data by the website operator Sabine Pierick Fürst-Leopold-Allee 10 46284 Dorsten Contact: atelier@sabine-pierick.de The website operator takes your data protection very seriously and treats your personal data confidentially and in accordance with legal regulations. As new technologies and the constant further development of this website may result in changes to this data protection declaration, we recommend that you read the data protection declaration again at regular intervals. Definitions of the terms used (e.g. "personal data" or "processing") can be found in Art. 4 GDPR. Conception, design and development of the website Wix.com Back

Sabine Pierick: 418 · Title: World Cry · Dimensions: 160 x 210 cm · Material: Real copper on various granulated coal · Year: 2021 Description: The material tension between the industrial, fossil material of coal and the noble, reflective copper creates a complex symbolism: while coal stands for the earthbound, the transient and the burden of the industrial past, copper conveys a transcendent, almost spiritual quality through its warm shine and its cultural-historical significance as one of the first metals processed by humans. The composition is masterful in its reduction: the large black form dominates the upper part of the picture and seems to rise up against the copper sky or disappear into it. This tension between presence and dissolution, between material heaviness and ethereal lightness, gives the work its special dynamic power. In a contemporary context, the work can also be interpreted as a reflection on ecological crises and the "cry" of nature. The use of coal, a symbol of industrialization and climate change, in conjunction with the title "World Cry" opens up a critical dimension that goes beyond the purely aesthetic effect. Pierick's work is thus in the tradition of material and process art, but through its specific choice of materials and compositional power it develops its own contemporary position that combines ecological, cultural-historical and existential questions in an impressive formal synthesis. Back

Sabine Pierick: · Title: untitled · Dimensions: 150 x 150 cm · Material: gold leaf, mixed media on canvas · Year: 2015 Description: In strict reduction, a large-format composition unfolds before the viewer, the background of which is kept in shimmering gold tones. A single, precisely placed black diagonal cuts through the atmospheric surface and creates a striking counterpoint to the meditative mood of the work. In this work, Pierick develops a remarkable material presence through the multi-layered treatment of the picture surface. The picture ground appears like an alchemical transformation - oxidized metal or aged gold - and opens up a space of contemplative depth to the viewer. The different layers and textures create a complex play of light and shadow that constantly changes depending on the viewpoint and lighting. The minimalist imagery is in the tradition of abstract art, but breaks away from its formal rigor through the pronounced materiality of the surface. The tension between the geometric clarity of the line and the almost organic-looking materiality of the ground manifests a characteristic aspect of Pierick's artistic work: the synthesis of order and chance, of control and material dynamics. The large-format work unfolds a contemplative power that involves the viewer in a dialogue between closeness and distance, between detail and overall effect. By reducing the work to a few, precisely placed design elements, the artist achieves a remarkable intensity of the image effect, which only becomes fully apparent after a longer period of observation. Back

Sabine Pierick: New Horizon · Title: Last view on Pluto · Dimensions: 150 x 150 cm · Material: various granulated coal, petrol, luminescent · Year: 2024 Description: The title "Last view on Pluto" summarizes the formal reduction and focus on materials that characterize Pierick's works. The work refers to traditions of minimalist and concrete art, which rely on geometric shapes, pure colors and sensual material effects. The circle as an archetypal motif stands for wholeness and is reminiscent of artists such as Kandinsky and Hilma af Klint. In addition, the emphasis on materiality and surface structure is reminiscent of positions in color field painting. Artists such as Mark Rothko and Barnett Newman also sought to reduce their works to the essentials in order to give the viewer an immediate sensory experience. The focus is on the effect of color, light and space. In her work "Last view on Pluto", Pierick takes up these traditions with her own, strongly material-based approach and creates a work of great sensual conciseness. Back