Suchergebnisse

Sabine Pierick: New Horizon · Title: Last view on Pluto · Dimensions: 150 x 150 cm · Material: various granulated coal, petrol, luminescent · Year: 2024 Description: The title "Last view on Pluto" summarizes the formal reduction and focus on materials that characterize Pierick's works. The work refers to traditions of minimalist and concrete art, which rely on geometric shapes, pure colors and sensual material effects. The circle as an archetypal motif stands for wholeness and is reminiscent of artists such as Kandinsky and Hilma af Klint. In addition, the emphasis on materiality and surface structure is reminiscent of positions in color field painting. Artists such as Mark Rothko and Barnett Newman also sought to reduce their works to the essentials in order to give the viewer an immediate sensory experience. The focus is on the effect of color, light and space. In her work "Last view on Pluto", Pierick takes up these traditions with her own, strongly material-based approach and creates a work of great sensual conciseness. Back

VENICE, 20.04 - 24.11 2024 BIENNALE ARTE 2024 Palazzo Bembo - C007 Gallery Gallery Artwork Artwork Exhibitions about me Art & Living Suchergebnisse More Sabine Pierick - Pallazzo Bembo - Room C007 Sabine Pierick bring unique and compelling reflections on climate change trough their distinct artistic approaches.. The artist graapple with themes of environmental fragility and human responsibilit. The methodes of expression and materials differ greatly. 118/17 150 x 150 cm The installation „ELEMENTARY: 666 – 108/17 – CO2Z by Sabine Pierick tackles the global climate emergency with an industrial, yet elemental, perspective. Pierick uses copper, coal and water – materials that are both symbolic and literal in their connection to climate discourse. 666 150 x 150 cm Her work is a fusion of art and science, with copper representing both the malleability of human effort and the responsibility of nations to achieve climate goals. The spiral structure of CO2Z, crafted from a 16-metre copper pipe, serves as a harsh critique of the global community`s inaction. CO2 - Z 2 parts 150 x 150 cm The installation symbolises the fragile balance betweeen the earth`s resources and the human race`s relentless consumption. Pierick`s use of the chemical periodic rtable highlights the elemental forces at play, while her stark message about greenwashing warns of the dangers of superficial climate solutions. …. Heat accelerates the ice`s disappearance, underscoring how human actions directly affect environmental degradiation. The sculpture`s unyielding paralysis, despite appearing mobile, is poignant reminder of our collective inertia in adressing climate change. Back

Sabine Pierick: 117 · Title: No - Junction · Dimensions: 150 x 120 cm · Material: Real copper on various granulated coal · Year: 2017 Description: In the context of contemporary material art, the work is positioned at an interesting interface: it combines the rigor of geometric abstraction with the sensual quality of the material. The use of copper, one of the oldest metals used by humans, creates a historical dimension of depth that is transported into the present through the modern formal language. Pierick's work can be read as a reflection on systems of order and their limits. The intersecting lines create fields and structures that, however, never appear completely closed or static. Rather, the interplay of material, light and lines creates a lively image structure that oscillates between control and chance, between industrial precision and material idiosyncrasy. This work is exemplary of a contemporary art practice that combines traditional geometric abstraction with material-related conceptual art, thereby opening up new aesthetic and content-related perspectives. Back

Sabine Pierick: ·Title: European Culture Center Year: 2024 Back

Sabine Pierick: 1323 · Title: · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Sabine Pierick: 1323 · Title: · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Back

www.atelier@sabine.pierick.com Atelier, Kunst, Biennale 2024, Zukunft; Energie, Fortschritt SABINE PIERICK Anker 35 Gallery Gallery Artwork Artwork Exhibitions about me Art & Living Suchergebnisse More The deeper meaning comes from the material. Carbon C6 | King of the Elements Hard coal Copper C29 | Electricity and heat conductor Real copper Water H2O | Basis of all life Petrol "Art is a step from the visible known to the hidden" (K. Gibran) Anker 1 Anker 2 Anker 3 1315 150 x 150 cm nur Ausschnitt für Gesamtansicht Jahreszeitenglück Herbst 2023 150 x 150 cm nur Ausschnitt für Gesamtansicht Jahreszeitenglück Winter 2022/23 150 x 150 cm nur Ausschnitt für Gesamtansicht Jahreszeitenglück Sommer 2022/23 150 x 150 cm nur Ausschnitt für Gesamtansicht Jahreszeitenglück Frühling 2023 150 x 150 cm nur Ausschnitt für Gesamtansicht 1323 150 x 150 cm nur Ausschnitt für Gesamtansicht Sortenrein III 150 x 150 cm nur Ausschnitt für Gesamtansicht Sortenrein I 150 x 150 cm nur Ausschnitt für Gesamtansicht Sortenrein II 150 x 150 cm nur Ausschnitt für Gesamtansicht 1723 150 x 150 cm nur Ausschnitt für Gesamtansicht Last view on Pluto 150 x 150 cm nur Ausschnitt für Gesamtansicht CO2-Z 150 x 150 cm (2teilig) nur Ausschnitt für Gesamtansicht 118/17 150 x 150 cm nur Ausschnitt für Gesamtansicht 117 150 x 120 cm nur Ausschnitt für Gesamtansicht 117-2 150 x 120 cm nur Ausschnitt für Gesamtansicht 666 150 x 150 cm nur Ausschnitt für Gesamtansicht ohne 150 x 150 cm nur Ausschnitt für Gesamtansicht 1916 120 x 120 cm nur Ausschnitt für Gesamtansicht 624 130 x 180 cm nur Ausschnitt für Gesamtansicht 1115 150 x 150 cm nur Ausschnitt für Gesamtansicht 915 200 x 160 cm nur Ausschnitt für Gesamtansicht 418 160 x 210 cm nur Ausschnitt für Gesamtansicht 915 150 x 150 cm nur Ausschnitt für Gesamtansicht Sneak View Video Anker 4 Anker 5 Anker 6 Anker 7 Anker 8 Anker 9 Anker 10 Anker 11 Anker 12 Anker 13 Anker 14 Anker 15 Anker 16 Anker 17 Anker 20 Anker 21 Anker 18 Anker 22 Anker 19 Anker 23 Anker 24

ART works Be Inspired! Anker 9 118 /17 Real copper disc and copper threads on carbon background Info >>> W: 150 x H 150 cm 2024 < to the gallery > Anker 10 666 W: 150 x H 150 cm Copper threads on black differently granulated carbon background < to the gallery > more Info >>> 2023 Anker 34 CO2 - Z Copper pipe on iridescent petrol background, luminescent W: 150 x H 150 cm (2 parts) < to the gallery > more Info >>> 2024 Anker 4 seasonal happiness spring Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 2 seasonal happiness summer Real copper disc on differently granulated hard coal more Info >>> W: 150 x H 150 cm < to the gallery > 2022 Anker 5 seasonal happiness autumn Real copper disc on differently granulated hard coal W: 150 x H 150 cm 2023 < to the gallery > more Info >>> Anker 3 seasonal happiness winter Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2022/23 Anker 7 1723 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 6 1323 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 8 1315 W: 150 x H 150 cm Real copper disc on differently granulated hard coal < to the gallery > more Info >>> 2015 Anker 32 915 Real copper disc on differently granulated hard coal W: 150 x H 150 cm < to the gallery > more Info >>> 2015 Anker 31 418 Real copper on differently granulated hard coal W: 160 x H 210 cm < to the gallery > more Info >>> 2021 Anker 30 0915-01 Real copper on differently granulated hard coal W: 160 x H 210 cm < to the gallery > more Info >>> 2015 Anker 29 117 - 2 Granulated hard coal on real copper W: 150 x H 120 cm < to the gallery > more Info >>> 2018 Anker 27 117 Granulated hard coal on real copper W: 150 x H 120 cm < to the gallery > more Info >>> 2017 Anker 1 Pure variety 1 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 28 Pure variety 2 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 33 Pure variety 3 Copper foil, oxidized, on variously granulated coal W: 150 x H 150 cm < to the gallery > more Info >>> 2023 Anker 13 Last view on Pluto various granulated coal, petrol, luminescent W: 150 x H 150 cm < to the gallery > more Info >>> 2024 Anker 11 1916 ·Real copper on various granulated hard coal, petrol W: 120 x H 120 cm < to the gallery > more Info >>> 2016 Anker 25 1115 ·Real copper on various granulated hard coal, petrol W: 150 x H 120 cm < to the gallery > more Info >>> 2015 Anker 26 624 ·Real copper on various granulated hard coal, petrol W: 130 x H 180 cm < to the gallery > more Info >>> 2024 Anker 14 without Gold leaf, mixed media on canvas W: 150 x H 150 cm < to the gallery > more Info >>> 2015

Sabine Pierick: 1315 · Title: Big Player · Dimensions: 150 x 150 cm · Material: Real copper disc on various granulated hard coal · Year: 2015 Back

Exhibitions 2025 Artist Meeting, Knokke, Belgien G Internationale Präsentation aktueller Werke 2024 Biennale Venedig, Italien G Internationale Präsentation aktueller Werke zu Menschlichkeit und Materialität 2024 Jüdisches Museum, Dorsten E Werkserie über Erinnerung, Wert und kulturelle Identität 2023 Chelsea Art, London, UK G Teilnahme mit großformatigen Materialbildern aus Kohle, Kupfer und Petrol 2023 Main Art, Aschaffenburg G Präsentation abstrakter Werkkompositionen zur Transformation natürlicher Ressourcen 2023 Galerie Manhattan, New York G Internationale Positionierung mit Fokus auf Rohstoffe als kulturelle Spiegel 2023 DAF, Köln G Thematische Ausstellung zu zeitgenössischer Materialkunst 2023 Franz*, Dorsten E Überblick über aktuelle Werkphase mit Schwerpunkt auf Kohle und Kupfer 2023 Parallax Art, London,UK G Experimentelle Materialarbeiten im internationalen Ko 2022 DAF , Frankfurt G Präsentation von Werken über natürliche Energiequellen und Vergänglichkeit 2022 Galerie Dortmund G Teilnahme an thematischer Ausstellung über Struktur und Oberfläche 2022 Galerie Palma, Spanien G Mediterrane Perspektiven auf industrielle Materialien 2022 ARTe, Wiesbaden G Zeitgenössische Kunstmesse – Fokus auf Material und Textur 2022 Lohnhalle, Dorsten E „Mensch & Material“ – großformatige Werke aus Steinkohle und Echtkupfer 2022 Konstanz G Teilnahme mit Arbeiten zur Beziehung zwischen Mensch und Naturstoff 2022 La Villa, Starnberger See E Präsentation der Werkserie „Reflexionen“ – Kohle, Kupfer, Petrol 2021 Adlon, Berlin E Kunst im Dialog mit Architektur – Kohle als Symbol für Erinnerung 2021 Capital Club, Berlin G Auswahl zeitgenössischer Positionen deutscher Künstler:innen 2018 Extraschicht, Ruhrgebiet G Industriekultur als Inspirationsquelle für Materialkunst 2018 Fürst Leopold, Dorsten E Carbon I - Erste große Werkreihe mit Deputatkohle – Beginn der Kohle-Phase 2018 Maschinenhalle, Dorsten E Rauminstallation mit Kohle, Kupfer und Licht 2017 Extraschicht, Ruhrgebiet G Teilnahme an der Nacht der Industriekultur 2015 Entwicklung des eigenen Materials - Beginn der eigenständigen Materialforschung mit Kohle, Kupfer und Petrol 1988 - 2014 Div. Ausstellungen im In- und Ausland E+G Frühphase mit keramischen, metallischen und lackbasierten Arbeiten AWARDS 2023 Pinacothèque „Artistic Merit“, Luxembourg 2022 Pinacothèque „Artistic Merit“, Luxembourg BOOKLETS & MAGAZINES Back

Sabine Pierick: Pure Varity / Sortenrein · Title: Sortenrein 2 · Dimensions: 150 x 150 cm · Material: Copper sheet, oxidized, on variously granulated coal Year: 2023 Description: The second image, with its detailed floral patterns, adds an organic, natural quality. This, in turn, with its dynamic, abstract pattern, gives an energetic, almost fiery vibe. The title "Sortenrein" refers to the fact that Pierick only uses pure materials such as coal and copper in this series. This creates a special materiality and texture in her works that invites the viewer to look closely at the surfaces and explore their sensual qualities. Back

My Journey Her mind has always worked globally, questioning things. Her hands dig deep into the pool of material elements, searching for design, driven by a longing for manual penetration of the material and possibilities. Since her youth she has travelled all over the world and in each country she has learned a craft from which she could learn something about old traditions and the processing of natural resources into works of cultural value. In Tunisia she shaped clay into goods, in Mexico it was silversmithing whose shine magically attracted her, and in Europe's historic steel forge in the heart of the Ruhr region the shiny black gold from the mines captivated her senses. And here, finally, her lively critical spirit merged at the boiling point of a lifelong chain of knowledge from man and matter, in the perception and exploration of natural appearance and malleable form and, unconditionally, in the merciless face of the finiteness of global resources, to form a touching archaic trinity of essence in her current art: coal, copper and water - black gold, blue gold and, like the constant stream of life within it, the heat-conducting semi-precious metal Cu, soft, malleable and tough at the same time. Back

JWM Museum Westphalia The dignity of every human is inviolable Dignity of perception As a copper inlay in a charcoal background broken a thousand times into countless shimmering stones, the ancient symbol of intertwining triangles shines golden towards the viewer. A gathering of souls of a special kind manifests itself in the large-format panel painting when one listens to Sabine Pierick's thoughts on her work. From the depths of existence, the dead and the living penetrate the picture surface, stone by stone, bone by bone, breathing, exhaled, submerged, resurrected, living, pulsating, passing on.... Never-ending flow of life, embraced by the black gold in the heat and energy-storing element copper, sediment upon sediment, moving surfaces, quiet grounds, shift work on a human task. Death and resurrection, warning and encouragement, thesis, antithesis, synthesis, embrace in showing attitude: stand up, don't go along with it, listen to the quiet tones, look closely, question, take nothing for granted, don't let yourself be blinded, not even by the most beautiful symbol. Sabine Pierick's Star of David reminds us to stay awake. Her approach is ruthless perception. This does not exclude beauty. Photographic reproductions cannot do justice to Sabine Pierick's work. The image needs to be viewed up close to unfold its magic. The copper six-pointed star shines with varying intensity and color depending on the viewing angle and lighting against a background of countless shimmering fragments. She is also fascinated by the elements as building materials of life. The artist can still feel the energy that was used to obtain the raw materials during the processing, even if their form changes fundamentally. Her work appears archaic, through physical transformation. The works charged with this energy captivate you precisely because of their materiality and protrude into the room like sculptures. Back